This started out as an experiment with oil mediums. I wanted to see how adding extra linseed oil to the paint would affect its handling properties. I was hoping for a smooth, fluid application but the linseed oil is too stiff and viscous on its own and would need to be thinned down.
In my haste to experiment with mediums I neglected the painting itself, distorting the perspective and missing all the colours. It was meant to be a still life of two apples on some books. I was about to abandon the whole experiment and prepare a new sheet of acrylic gessoed paper when a friend saw a face in one of the apples and suggested I develop this and make my own Hieronymus Bosch.
The results are hardly Bosch, but it was an interesting exercise in inventing forms and deciding how they might be lit.