Drawn from a photo taken when strong sun was shining into a darkened room, hitting the flower and creating some interesting lighting.
It doesn’t stand up to close scrutiny with all those grubby pencil marks and scrappy lines. The graphite from the underlying pencil sketch gets trapped and sealed by even a light watercolour wash. Even if I’d rubbed most of it out before painting I think some would have shown through. There must be better ways to do the initial outline sketch.
Back of my father’s self-winding watch. The automatic mechanism makes it keep ticking eerily when picked up after months untouched.
Found this a tough one, partly because the subject is so small but also because it’s hard to keep track of the complicated rings of light and dark which taper in and out, and it’s weird to go into writing mode in the middle of a drawing (a sure sign I’m doing it wrong).
New toys arrived in the shape of a Pentel Pocket Brush Pen and Uni Pin Fine Line markers. The brush pen is a delicate and twitchy beast which frightens easily but can produce a very satisfying line when it obeys, and because the inks are permanent and waterproof the watercolour can be applied after the ink (though in the chromolithograph copy, the 0.05mm Uni Pin was applied last as it hadn’t arrived at the time of colouring).
The top picture is copied from a photo by Mark J. Davis, part of the series Suspended Dreams: The Unknown Musicians, the vase with tulips was copied from a photo, and the chromolithograph reproduction was found in The Printed Picture by Richard Benson.
EDM 7: Draw a bottle, jar or tin from the kitchen.
This started as a pencil sketch (there was much erasing) followed by watercolours and finally pen. I rushed the beginning of the final inking stage, just as I should have been slowing down and paying closer attention to the final effect, with the result that it’s sloppier than I intended and hoped-for close-up labyrinthian joy has been lost. Symmetrical designs are especially unforgiving. Also the perspective on the lid is wrong.
Still using the Papermate Flair (the other pens haven’t arrived yet) which isn’t waterproof, so ink goes on last.
These first posts began as emails posted to a couple of friends, sent as we shared photos of our latest sketches. We still exchange some sketches by email but it’s more convenient to save it all on a website where it can be a record of discoveries made and techniques learned.
As with any learning process, it’s often the mistakes that are the most instructive. The sketches shown here are more a record of what works and what doesn’t, rather than a showcase of finished pieces.
So the expected audience is rather small, but even so, when posting on a public website it is tempting to be more thorough and exhaustive with the information given than when writing a personal email, often to the point of paralysis. Instead, these early posts are kept short (if incomplete) to pass on brief thoughts or observations, with occasional links to other sites of interest.
The dates of the posts have been altered to match the time the sketches were made, which makes more sense when reading in sequence but could mean new posts are buried in the pile as I add old sketches. Use the Recently Added list on the right to find the latest posts.